"But why?"
"I had to. You wouldnt understand; you werent part of it."
"I could understand if you explained it to me."
"You wouldnt. You couldnt possibly understand."
"Tell me."
"Okay. Ill tell you. I lived with that man for years, Ant, years, for the best part of my life and it was horrible. I never felt right in that house and it was because he lived in it and I want him to know that Im better now and that he messed up."
"This was years ago."
"Ive spent more time with him than away from him. Thats got to count for something. And I cant forget--"
"Forget! Forget about it! Youve left, youre away, youve escaped; let it go! This is the past and Im, Im you--"
"Youre my future. I know. "
"Then why are you obsessed with the past!?"
"I wouldnt be here if it wasnt for him and that house."
"No, no! Youd been gone a long time before you met me."
"You dont understand."
"But Im trying."
"Yes. And I love you for it. But he was the one who thought I couldnt do it. He thought I could never be myself."
"He was wrong."
"Thats just the thing. Im wrong. He thought I could be myself. He just always said the opposite. He loved me in some way. I didnt realise it until I left--
--Say something."
"You want to be back with him?"
"No! No, dont be stupid. I cant go back "
"But then why did you go back today!"
"Im not going back! Im leaving! Im leaving for the first time and Im making sure he knows why I left!"
* * *
The old man had a face like a tombstone with an overgrown, grassy beard. Aged eyes wearily read the letter on his kitchen table. The address said, To my husband.
He had not heard from his wife in a while. Not since abuse and names over the breakfast table, yelling over the TV and hushed silences when his son and daughter-in-law came to visit and driving off while she stood in the countryside calling out his name, RAAAAY, RAAAAAY, RAAAAAAAAY! Not since tears in her eyes and walking past the bathroom and the sound of soft sobbing echoing down the corridor and the bitterness in his own eyes now, swelling up and growing and opening a new bottle of whiskey and drinking it all that night.
Not since a family meal with hard words and raised voices and the chicken flying across the room and thick gravy spiralling off onto paintings and I DONT NEED YOUR PERMISSION TO LIVE MY LIFE AND, AND I WILL BE SOMETHING YOU BASTARD OLD COOT and now he was sitting down in his chair breathing heavily and holding the table edge tightly.
The letter stared at him. There was nothing else inscribed onto it. So she must have delivered it by hand. He carefully read over the letter, hoping to see distress in her script; a wavering in the loop of the y, a shaky s, something to let him know it caused her some great emotion to write it out.
Nothing. The letter sat on his kitchen table for some time.
Yet, when he went out into the garden to pull up weeds and ignore the letter, he could see it. It watched him as he ripped them up from between the patio slates. It watched him as he ate his sandwich for lunch. It watched him as he made his cup of tea. It watched him as he did the crossword. It watched him as he sat outside in the middle of his garden, crouching down and holding himself as he sobbed into his knees. The house was haunted by the letter for three days until he yelled some primeval moan and ripped open the envelope to see what she had written.
To see her explanation.
Nothing.
There was nothing apart from one photo, and one small piece of paper. The photo was of his wife, with another man. Were they married? They couldnt be, he supposed. He had forgotten the expression on her face because he had not seen it for a very long time; it was a smile. And he knew it was because of the other man, and from somewhere long ago he recognized the smile. The warmth in your soul and the radiating bliss that reached out and pulled a smile from your mouth into your shining eyes. What a perfect picture. What a paradox: that such a blissful portrait could create such sadness inside him.
The piece of paper had one sentence etched carefully onto its surface:
i am the intimate mistake in your corpse-grey eyes.
And then there were tears on the table soaking into it's old wooden surface.
"It was just something that I had to do."














Comments
YOUR*
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ctJemm: Marry me, sparklepants.
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lol, writing lol
It makes me think of mornings where you wake up and you'd had such a horrible dream - flashes of the past - and you get up and you take your pills and you try to forget it all and rewind yourself and get on with the world. It makes me think of nights where you try to sleep, knowing that in the morning you have to face the whole world again. It makes me think of those times when you're sat in front of your mirror, alone, carefully brushing foundation over a bruise on your face, a scratch on your neck, a bite mark on your collar bone. You're not sure if all sex is this violent. You're not sure if all men hit their girlfriends.
It's beautiful, and so, so sad.
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[Clare is] basically the dutchess of twee. - Sam
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conorschild: overusing commas since '73 seconds ago
~thingsareprettyokay
#getLIT for people who think writing is just tops
The problem with the first half of the dialogue is it goes on too long, I think. They kinda run circles around the issue.
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Harmonize your inward and your outward life, and you soul will know no bounds of joy.
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